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  <title>meirbg</title>
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  <guid isPermaLink='true'>http://meirbg.livejournal.com/6192.html</guid>
  <pubDate>Wed, 24 Jun 2009 12:22:12 GMT</pubDate>
  <title>Meditation on Infinite 5-dimensional Space</title>
  <link>http://meirbg.livejournal.com/6192.html</link>
  <description>&lt;div class=&quot;post-body entry-content&quot;&gt;&lt;div class=&quot;post-body entry-content&quot;&gt;&lt;a href=&quot;http://4.bp.blogspot.com/_hGn1v4stHxE/SkIZ3hotBkI/AAAAAAAAB8Q/OQY3W4iPwXA/s1600-h/120px-Tree_of_life_wk_02.svg.png&quot;&gt;&lt;img border=&quot;0&quot; style=&quot;margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 112px; height: 200px;&quot; src=&quot;http://4.bp.blogspot.com/_hGn1v4stHxE/SkIZ3hotBkI/AAAAAAAAB8Q/OQY3W4iPwXA/s200/120px-Tree_of_life_wk_02.svg.png&quot; alt=&quot;&quot; /&gt;&lt;/a&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Arial,Verdana,sans-serif;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: medium;&quot;&gt;When we view the Sefirot as being ten directions in a five-dimensional continuum, we can also interpret this in the following manner. Each pair of Sefirot defines an infinite line, extended infinitely in both directions. The end points of such an infinite line, however, come together and meet once again at the &amp;quot;point in infinity.&amp;quot; This is a fact recognized by mathematicians, and considerable use of the &amp;quot;point at infinity&amp;quot; is found in complex analysis, the calculus of complex number&lt;/span&gt;&lt;/span&gt;&lt;a href=&quot;http://1.bp.blogspot.com/_hGn1v4stHxE/SkIaLMlUt-I/AAAAAAAAB8g/Z5MKjZaI4TQ/s1600-h/180px-Ein_sof.png&quot;&gt;&lt;img border=&quot;0&quot; style=&quot;margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 180px; height: 180px;&quot; src=&quot;http://1.bp.blogspot.com/_hGn1v4stHxE/SkIaLMlUt-I/AAAAAAAAB8g/Z5MKjZaI4TQ/s200/180px-Ein_sof.png&quot; alt=&quot;&quot; /&gt;&lt;/a&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Arial,Verdana,sans-serif;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: medium;&quot;&gt;s.&lt;br /&gt;&lt;br /&gt;One can use this as a meditation. Try to imagine the sphere at infinity and the point at infinity, and attempt to perceive how they are actually one. You will then see that your usual conceptions of space and extension are not as simple as you believe.&lt;br /&gt;&lt;br /&gt;(Sefer Yetzirah, R. A. Kaplan Commentary)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;</description>
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  <category>mysticism</category>
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  <guid isPermaLink='true'>http://meirbg.livejournal.com/5918.html</guid>
  <pubDate>Thu, 11 Jun 2009 20:46:59 GMT</pubDate>
  <title>Mystics of all countries – unite! Мистики всех стран - соединяйтесь!</title>
  <link>http://meirbg.livejournal.com/5918.html</link>
  <description>&lt;img border=&quot;0&quot; alt=&quot;&quot; src=&quot;http://3.bp.blogspot.com/_hGn1v4stHxE/SjEpLbkigoI/AAAAAAAAB2I/MxRQx6HF0cM/s320/sefer+yetzirah.jpg&quot; style=&quot;margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 216px; height: 320px;&quot; /&gt;&lt;div class=&quot;post-body entry-content&quot;&gt;&lt;span style=&quot;font-family: Verdana; font-size: 100%;&quot; class=&quot;Apple-style-span&quot;&gt;&lt;p class=&quot;MsoNormal&quot;&gt;Sefer Yetzira (The Book of Creation) is a concise mystical book (between 1,300 to 2,500 words) whose teaching were developed by the Patriarch Abraham and which was recorded at least 2000 years ago.&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span class=&quot;apple-style-span&quot;&gt;&lt;span style=&quot;line-height: 115%; font-size: 9.5pt; color: black;&quot;&gt;&lt;b&gt;Sentence 7:&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span class=&quot;apple-style-span&quot;&gt;&lt;span style=&quot;line-height: 115%; font-size: 9.5pt; color: black;&quot;&gt;Ten Sefirot of Nothingness&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span class=&quot;apple-style-span&quot;&gt;&lt;span style=&quot;line-height: 115%; font-size: 9.5pt; color: black;&quot;&gt;&lt;span style=&quot;&quot;&gt;          &lt;/span&gt;Their end is embedded in their beginning&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style=&quot;text-indent: 0.5in;&quot; class=&quot;MsoNormal&quot;&gt;&lt;span class=&quot;apple-style-span&quot;&gt;&lt;span style=&quot;line-height: 115%; font-size: 9.5pt; color: black;&quot;&gt;and their beginning in their end&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style=&quot;text-indent: 0.5in;&quot; class=&quot;MsoNormal&quot;&gt;&lt;span class=&quot;apple-style-span&quot;&gt;&lt;span style=&quot;line-height: 115%; font-size: 9.5pt; color: black;&quot;&gt;&lt;span style=&quot;&quot;&gt;          &lt;/span&gt;like a flame in a burning coal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span class=&quot;apple-style-span&quot;&gt;&lt;span style=&quot;line-height: 115%; font-size: 9.5pt; color: black;&quot;&gt;For the Master is singular&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span class=&quot;apple-style-span&quot;&gt;&lt;span style=&quot;line-height: 115%; font-size: 9.5pt; color: black;&quot;&gt;&lt;span style=&quot;&quot;&gt;          &lt;/span&gt;He has no second&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span class=&quot;apple-style-span&quot;&gt;&lt;span style=&quot;line-height: 115%; font-size: 9.5pt; color: black;&quot;&gt;And before one, what do you count?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span class=&quot;apple-style-span&quot;&gt;&lt;span style=&quot;line-height: 115%; font-size: 9.5pt; color: black;&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span class=&quot;apple-style-span&quot;&gt;&lt;span style=&quot;line-height: 115%; font-size: 9.5pt; color: black;&quot;&gt;&lt;b&gt;Commentary&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span class=&quot;apple-style-span&quot;&gt;&lt;span style=&quot;line-height: 115%; font-size: 9.5pt; color: black;&quot;&gt;According to most commentaries, the &amp;ldquo;beginning&amp;rdquo; is Keter (Crown), while the &amp;ldquo;end&amp;rdquo; is Malchut (Kingship). These are the two endpoints of the spiritual dimension.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span class=&quot;apple-style-span&quot;&gt;&lt;span style=&quot;line-height: 115%; font-size: 9.5pt; color: black;&quot;&gt;On the most basic level, Crown is seen as the concept of Cause, while Kingship is the archetype of Effect. Since a cause cannot exist without an effect, and an effect cannot exist without a cause, the two are interdependent on each other.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;line-height: 115%; font-size: 9.5pt; color: black;&quot;&gt;The Sefer Yetzirah likens this to a &amp;ldquo;flame bound to a burning coal.&amp;rdquo; A flame cannot exist without the coal, and the burning coal cannot exits without a flame. Although the coal is the cuase of the flame, the flame is also the cause of the burning coal. Without the flame, the would not be a &lt;i style=&quot;&quot;&gt;burning&lt;/i&gt; coal.&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;line-height: 115%; font-size: 9.5pt; color: black;&quot;&gt;Since Cause cannot exist without Effect, Effect is also the cause of the Cause. In this sense, Effect is the cause, and the cause is the Effect. Since beginning and end are inseparable, &amp;ldquo;their end is embedded in their beginning, and their beginning in their end.&amp;rdquo;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;line-height: 115%; font-size: 9.5pt; color: black;&quot;&gt;The commentary goes on to explain the 5-dimensional space (three physical dimension, time, and soul, meaning good/bad dimension), and describes an infinitely remote sphere where all these converge.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;line-height: 115%; font-size: 9.5pt; color: black;&quot;&gt;All of the above can be used as meditation devices for visualizing the complex spiritual worlds.&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;line-height: 115%; font-size: 9.5pt; color: black;&quot;&gt;&lt;i&gt;And now&amp;hellip;&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;b&gt;Mystics of all countries &amp;ndash; unite!&lt;/b&gt;&lt;span style=&quot;&quot;&gt;   &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span class=&quot;apple-style-span&quot;&gt;&lt;span style=&quot;line-height: 115%; font-size: 9.5pt; color: black;&quot;&gt;One can easily see that many mystical schools engage in the same meditative techniques, thus they are dealing with the same spiritual worlds, which should really come as no surprise.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span class=&quot;apple-style-span&quot;&gt;&lt;span style=&quot;line-height: 115%; font-size: 9.5pt; color: black;&quot;&gt;&amp;ldquo;Ten Sefirot of Nothingness&amp;rdquo; is parallel to Hindu meditation on Nothing, behind one&amp;rsquo;s head, which is one of the most powerful and dangerous forms of meditation.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;line-height: 115%; font-size: 9.5pt; color: black;&quot;&gt;&amp;ldquo;&lt;span class=&quot;apple-style-span&quot;&gt;And before one, what do you count?&amp;rdquo; is the sound of one hand clapping. The reader is invited to find further parallels.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/span&gt;&lt;/div&gt;</description>
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  <pubDate>Mon, 27 Apr 2009 15:35:20 GMT</pubDate>
  <title>Синопсис страницы Талмуда ежедневно.</title>
  <link>http://meirbg.livejournal.com/5552.html</link>
  <description>&amp;nbsp;&lt;br /&gt;&lt;span style=&quot;font-size: medium; &quot;&gt;Welcome&lt;/span&gt;&lt;span style=&quot;font-size: medium; &quot;&gt;&amp;nbsp;to a new bilingual community&amp;nbsp;&lt;/span&gt;&lt;a style=&quot;background-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; border-top-color: rgb(63, 95, 158); border-right-color: rgb(63, 95, 158); border-bottom-color: rgb(63, 95, 158); border-left-color: rgb(63, 95, 158); color: rgb(71, 1, 150); text-decoration: none; &quot; href=&quot;http://community.livejournal.com/talmud_daily/profile&quot;&gt;&lt;span style=&quot;font-size: medium; &quot;&gt;&lt;img alt=&quot;[info]&quot; width=&quot;16&quot; height=&quot;16&quot; class=&quot;ContextualPopup&quot; style=&quot;vertical-align: bottom; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-right: 1px; &quot; src=&quot;http://l-stat.livejournal.com/img/community.gif&quot; /&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-size: medium; &quot;&gt;&lt;a style=&quot;background-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; border-bottom-color: rgb(204, 204, 204); text-decoration: none; color: rgb(71, 1, 150); &quot; href=&quot;http://community.livejournal.com/talmud_daily/&quot;&gt;&lt;b&gt;talmud_daily&amp;nbsp;&lt;/b&gt;&lt;/a&gt;-&amp;nbsp;concise&amp;nbsp;&amp;nbsp;summary of a page every day.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: medium; &quot;&gt;Приглашаю в новое двуязычное сообщество&amp;nbsp;&lt;/span&gt;&lt;a style=&quot;background-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; border-top-color: rgb(63, 95, 158); border-right-color: rgb(63, 95, 158); border-bottom-color: rgb(63, 95, 158); border-left-color: rgb(63, 95, 158); color: rgb(71, 1, 150); text-decoration: none; &quot; href=&quot;http://community.livejournal.com/talmud_daily/profile&quot;&gt;&lt;span style=&quot;font-size: medium; &quot;&gt;&lt;img alt=&quot;[info]&quot; width=&quot;16&quot; height=&quot;16&quot; class=&quot;ContextualPopup&quot; style=&quot;vertical-align: bottom; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-right: 1px; &quot; src=&quot;http://l-stat.livejournal.com/img/community.gif&quot; /&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-size: medium; &quot;&gt;&lt;a style=&quot;background-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; border-bottom-color: rgb(204, 204, 204); text-decoration: none; color: rgb(71, 1, 150); &quot; href=&quot;http://community.livejournal.com/talmud_daily/&quot;&gt;&lt;b&gt;talmud_daily&lt;/b&gt;&lt;/a&gt;&amp;nbsp;-краткое содержание страницы каждый день.&lt;/span&gt;&lt;a style=&quot;background-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; border-bottom-color: rgb(204, 204, 204); text-decoration: none; color: rgb(71, 1, 150); &quot; href=&quot;http://community.livejournal.com/talmud_daily/&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;&lt;img width=&quot;300&quot; height=&quot;199&quot; alt=&quot;&quot; src=&quot;http://www.clfinearts.com/Bragg%20-%20Midrash.jpg&quot; /&gt;&lt;br /&gt;&lt;span style=&quot;font-size: x-small; &quot;&gt;Charles Bragg - Midrash&lt;/span&gt;&lt;br type=&quot;_moz&quot; /&gt;</description>
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  <guid isPermaLink='true'>http://meirbg.livejournal.com/4288.html</guid>
  <pubDate>Mon, 23 Mar 2009 03:28:22 GMT</pubDate>
  <title>Shakespeare Cheapens Reason?</title>
  <link>http://meirbg.livejournal.com/4288.html</link>
  <description>&lt;br /&gt;Charles Altieri from UC&amp;nbsp;Berkeley says in his lecture on Midsummer Night&apos;s Dream (&lt;a href=&quot;http://webcast.berkeley.edu/course_details.php?seriesid=1906978525&quot;&gt;here they all are&lt;/a&gt;!)&amp;nbsp; that Lysander cheapens reason.&lt;br /&gt;&lt;br /&gt;Lysander has just been awakened by Helena and, under the influence of the magic juice applied to his eyes, falls madly in love with her&lt;br /&gt;&lt;br /&gt;&lt;img alt=&quot;&quot; src=&quot;http://shmsoft.com/view/perm/Lysander%20Awake%20and%20Hermia.jpg&quot; /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HELENA &lt;/strong&gt;&lt;br /&gt;Lysander if you live, good sir, awake.&lt;br /&gt;&lt;strong&gt;LYSANDER &lt;/strong&gt;&lt;br /&gt;[Awaking] And run through fire I will for thy sweet sake.&lt;br /&gt;&lt;br /&gt;He now needs to explain his infatuation, as follows&lt;br /&gt;&lt;br /&gt;&lt;img alt=&quot;&quot; src=&quot;http://www.anokaramsey.mnscu.edu/images/news/shakespeare2.jpg&quot; /&gt;&lt;br /&gt;&lt;br /&gt;The will of man is by his reason sway&apos;d;&lt;br /&gt;And reason says you are the worthier maid.&lt;br /&gt;Things growing are not ripe until their season&lt;br /&gt;So I, being young, till now ripe not to reason;&lt;br /&gt;And touching now the point of human skill,&lt;br /&gt;Reason becomes the marshal to my will&lt;br /&gt;And leads me to your eyes, where I o&apos;erlook&lt;br /&gt;Love&apos;s stories written in love&apos;s richest book.&lt;br /&gt;&lt;br /&gt;This is all upside down. Not the&lt;br /&gt;&lt;br /&gt;&lt;em&gt;The will of man is by his reason sway&apos;d;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;but it should be&lt;br /&gt;&lt;br /&gt;&lt;em&gt;The reason of man is by his desire sway&apos;d;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;But in this play, everything is reversed, as Bottom says:&lt;br /&gt;&lt;br /&gt;The eye of man hath not heard, the ear of man hath not&lt;br /&gt;seen, man&apos;s hand is not able to taste, his tongue&lt;br /&gt;to conceive, nor his heart to report, what my dream was.&lt;br /&gt;&lt;br /&gt;Furthermore,&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Reason becomes the marshal to my will&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;sound like&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Reason becomes the servant to my will.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;This is contrast and funny, and we are entranced and enchanted.&lt;br /&gt;&lt;br /&gt;I will posit though that Shakespeare with Lysander are correct in cheapening reason. Any time something touches us deeply, be it a fairy tale, a myth, or an episode in Shakespeare, then in addition to the talent of the author, it is a mystical principle that they touch upon is what makes us shake. We know this principle but have lost it. &lt;br /&gt;&lt;br /&gt;As the Hindus teach us, the mind is often a Deceiver. So too in Kabbalah, the mind of the spiritual entity called Zeir Anpin, representing a supernal man, does not stay constant, but rather grows from the state of &amp;ldquo;Young Mind&amp;rdquo; to the state of &amp;ldquo;Adult Mind.&amp;rdquo;&lt;br /&gt;&lt;br /&gt;Now this is what Lysander means precisely, &amp;ldquo;Things growing are not ripe until their season&amp;rdquo; - meaning, from the birth of Zeir Anpin till his mature age, he changes. Actually, as Kaballah teaches, Zeir Anpin becomes young again every year on Passover and reaches his full maturity at about the&amp;nbsp; time that we are in now, the end of the month of Adar.&lt;br /&gt;&lt;br /&gt;The fact that the Will is higher than the Mind is also true. In fact, the Will has to come first, for someone has to will for the other things (including his will) to exist.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;</description>
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  <pubDate>Wed, 11 Mar 2009 14:56:12 GMT</pubDate>
  <title>Shakespeare as a Talmudist - Logic against Grammar</title>
  <link>http://meirbg.livejournal.com/3903.html</link>
  <description>&lt;div&gt;&lt;br /&gt;&lt;strong&gt;HERMIA&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&amp;nbsp;&amp;nbsp; Sweet, do not scorn her so.&lt;br /&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;DEMETRIUS&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&amp;nbsp;&amp;nbsp; If she cannot entreat, I can compel.&lt;br /&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;LYSANDER&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&amp;nbsp;&amp;nbsp; Thou canst compel no more than she entreat:&lt;/div&gt;&lt;div&gt;&amp;nbsp;&amp;nbsp; Thy threats have no more strength than her weak prayers.&lt;/div&gt;&lt;div&gt;&amp;nbsp;&amp;nbsp; Helen, I love thee; by my life, I do:&lt;/div&gt;&lt;div&gt;&amp;nbsp;&amp;nbsp; I swear by that which I will lose for thee,&lt;/div&gt;&lt;div&gt;&amp;nbsp;&amp;nbsp; To prove him false that says I love thee not.&lt;br /&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;DEMETRIUS&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&amp;nbsp;&amp;nbsp; I say I love thee more than he can do.&lt;br /&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;LYSANDER&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&amp;nbsp;&amp;nbsp; If thou say so, withdraw, and prove it too.&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&amp;quot;Sweet, do not scorn her so&amp;quot; sets up the scene for the disagreement. Demetrius claims an &amp;quot;a forteriori&amp;quot; argument: &amp;quot;since she cannot entreat, I can compel,&amp;quot; which in his mind is stronger. As the Oxford School commentary notes, Demetrius is overly competitive.&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;Lysander counters with &amp;quot;compel and entreat are mentioned in the same phrase to teach us that they have the same power.&amp;quot; Demetrius&apos; argument now works against him: his compelling is not effective because her entreaties aren&apos;t. This in Talmud is called &amp;quot;argument by word analogy.&amp;quot;&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;What is to decide? Both approaches are correct. As often happens in the Talmud, one opponent invokes an oath, &amp;quot;by my life!&amp;quot; What is the other one to say? A stronger oath! Such a thing doesn&apos;t exist, as Shakespeare has proven before:&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;HERMIA&lt;/strong&gt;&lt;br /&gt;&amp;nbsp;&amp;nbsp; By all the vows that ever men have broke,&lt;/div&gt;&lt;div&gt;&amp;nbsp;&amp;nbsp; In number more than ever women spoke,&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;and therefore it works only to make the first witness false. According to normal logic, it would not work, but according to the Talmud, the second set of witnesses is believed over the first, so it works.&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;What gives? A sexual innuendo raises it up to the level of mystery and thus resolves the argument.&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;</description>
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